This year’s virtual event runs until 24 March 2021 presenting work by more than 400 artists from 35 different countries including the UK, Thailand, Japan and the USA, and we’ve brought together some of our favourites from the fair…<\/p>\n
Waterfall bench by Angus Ross<\/strong><\/h3>\n![\"\"](\"https:\/\/www.bathbespoke.co.uk\/app\/uploads\/2021\/03\/download-6-300x160.png\")
Angus Ross<\/a> transforms local trees into exquisite furniture. He is best known as a designer and maker of sculptural one-off furniture pieces with a sense of movement and flow. He began steam-bending to use small section timber from his sustainably managed bluebell wood.<\/p>\nThe Waterfall Bench captures a delicate waterfall of water as seen in the burns (streams) around his home and workshop. Fluid, flowing lines are a characteristic of many of Angus\u2019s designs and in this new one-off piece the steam-bent curves of ash are complimented with walnut joint details.<\/p>\n
Sahara Stool by Chris Rune<\/strong><\/h3>\n![\"\"](\"https:\/\/www.bathbespoke.co.uk\/app\/uploads\/2021\/03\/download-7-e1615204009657-300x290.png\")
\nChris Ruhe<\/a> is an emerging dutch designer completely dedicated to cabinetry.<\/p>\nIn creating a stool that can be both portable and transparent, he found a way to bend circles of birch wood and assemble a wave-like structure.<\/p>\n
The stool became an ergonomic achievement; activating all body muscles by the bounce of the material. In addition, the design can easily be adjusted to the body length of the owner, creating the ideal height by adding extra rings to the construction.<\/p>\n
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A Shattered Past by Hannah Gibson<\/strong><\/h3>\n![\"\"](\"https:\/\/www.bathbespoke.co.uk\/app\/uploads\/2021\/03\/Screenshot-2021-03-08-at-11.14.50-200x300.png\")
\nPassionate about sustainability and recycling, Hannah Gibson<\/a> uses only recycled glass and found objects to capture the nostalgic imagery of childhood, exposing hidden narratives, through cast sculptural glass.<\/p>\nThis unique sculpture featured in Collect is made from recycled windscreen glass and presented in response to the pandemic and what unravelled through the world as a consequence; it is a personal reaction to 2020 and the how the simultaneous stillness and chaos of the last few months has affected her individually.<\/p>\n
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Restless by Jim Partridge and Liz Walmsley\u00a0<\/strong><\/h3>\n![\"\"](\"https:\/\/www.bathbespoke.co.uk\/app\/uploads\/2021\/03\/Screenshot-2021-03-08-at-12.01.09-300x200.png\")
With the intention of making \u201cwork with a strong but quiet presence in the landscape\u201d, Jim Partridge and Liz Walmsley<\/a>‘s partnership has worked successfully on many architectural projects and environmental commissions.<\/p>\nTheir studio furniture, much of which is carved from blocks of green oak, often scorched and polished to a lustrous black finish, is in public collections across the world.<\/p>\n
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<\/h3>\nWood by Nic Webb<\/strong><\/h3>\n![\"\"](\"https:\/\/www.bathbespoke.co.uk\/app\/uploads\/2021\/03\/Screenshot-2021-03-08-at-11.33.26-225x300.png\")
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Angus Ross<\/a> transforms local trees into exquisite furniture. He is best known as a designer and maker of sculptural one-off furniture pieces with a sense of movement and flow. He began steam-bending to use small section timber from his sustainably managed bluebell wood.<\/p>\nThe Waterfall Bench captures a delicate waterfall of water as seen in the burns (streams) around his home and workshop. Fluid, flowing lines are a characteristic of many of Angus\u2019s designs and in this new one-off piece the steam-bent curves of ash are complimented with walnut joint details.<\/p>\n
Sahara Stool by Chris Rune<\/strong><\/h3>\n\nChris Ruhe<\/a> is an emerging dutch designer completely dedicated to cabinetry.<\/p>\nIn creating a stool that can be both portable and transparent, he found a way to bend circles of birch wood and assemble a wave-like structure.<\/p>\n
The stool became an ergonomic achievement; activating all body muscles by the bounce of the material. In addition, the design can easily be adjusted to the body length of the owner, creating the ideal height by adding extra rings to the construction.<\/p>\n
<\/h3>\n<\/h3>\n
<\/p>\n
A Shattered Past by Hannah Gibson<\/strong><\/h3>\n\nPassionate about sustainability and recycling, Hannah Gibson<\/a> uses only recycled glass and found objects to capture the nostalgic imagery of childhood, exposing hidden narratives, through cast sculptural glass.<\/p>\nThis unique sculpture featured in Collect is made from recycled windscreen glass and presented in response to the pandemic and what unravelled through the world as a consequence; it is a personal reaction to 2020 and the how the simultaneous stillness and chaos of the last few months has affected her individually.<\/p>\n
<\/p>\n
.<\/p>\n
Restless by Jim Partridge and Liz Walmsley\u00a0<\/strong><\/h3>\nWith the intention of making \u201cwork with a strong but quiet presence in the landscape\u201d, Jim Partridge and Liz Walmsley<\/a>‘s partnership has worked successfully on many architectural projects and environmental commissions.<\/p>\nTheir studio furniture, much of which is carved from blocks of green oak, often scorched and polished to a lustrous black finish, is in public collections across the world.<\/p>\n
<\/h3>\n
<\/p>\n
<\/h3>\nWood by Nic Webb<\/strong><\/h3>\n\n
In creating a stool that can be both portable and transparent, he found a way to bend circles of birch wood and assemble a wave-like structure.<\/p>\n
The stool became an ergonomic achievement; activating all body muscles by the bounce of the material. In addition, the design can easily be adjusted to the body length of the owner, creating the ideal height by adding extra rings to the construction.<\/p>\n
<\/h3>\n<\/h3>\n
<\/p>\n
A Shattered Past by Hannah Gibson<\/strong><\/h3>\n\nPassionate about sustainability and recycling, Hannah Gibson<\/a> uses only recycled glass and found objects to capture the nostalgic imagery of childhood, exposing hidden narratives, through cast sculptural glass.<\/p>\nThis unique sculpture featured in Collect is made from recycled windscreen glass and presented in response to the pandemic and what unravelled through the world as a consequence; it is a personal reaction to 2020 and the how the simultaneous stillness and chaos of the last few months has affected her individually.<\/p>\n
<\/p>\n
.<\/p>\n
Restless by Jim Partridge and Liz Walmsley\u00a0<\/strong><\/h3>\nWith the intention of making \u201cwork with a strong but quiet presence in the landscape\u201d, Jim Partridge and Liz Walmsley<\/a>‘s partnership has worked successfully on many architectural projects and environmental commissions.<\/p>\nTheir studio furniture, much of which is carved from blocks of green oak, often scorched and polished to a lustrous black finish, is in public collections across the world.<\/p>\n
<\/h3>\n
<\/p>\n
<\/h3>\nWood by Nic Webb<\/strong><\/h3>\n\n
This unique sculpture featured in Collect is made from recycled windscreen glass and presented in response to the pandemic and what unravelled through the world as a consequence; it is a personal reaction to 2020 and the how the simultaneous stillness and chaos of the last few months has affected her individually.<\/p>\n
<\/p>\n
.<\/p>\n
Restless by Jim Partridge and Liz Walmsley\u00a0<\/strong><\/h3>\nWith the intention of making \u201cwork with a strong but quiet presence in the landscape\u201d, Jim Partridge and Liz Walmsley<\/a>‘s partnership has worked successfully on many architectural projects and environmental commissions.<\/p>\nTheir studio furniture, much of which is carved from blocks of green oak, often scorched and polished to a lustrous black finish, is in public collections across the world.<\/p>\n
<\/h3>\n
<\/p>\n
<\/h3>\nWood by Nic Webb<\/strong><\/h3>\n\n
With the intention of making \u201cwork with a strong but quiet presence in the landscape\u201d, Jim Partridge and Liz Walmsley<\/a>‘s partnership has worked successfully on many architectural projects and environmental commissions.<\/p>\nTheir studio furniture, much of which is carved from blocks of green oak, often scorched and polished to a lustrous black finish, is in public collections across the world.<\/p>\n
<\/h3>\n
<\/p>\n
<\/h3>\nWood by Nic Webb<\/strong><\/h3>\n\n
\n![\"\"](\"https:\/\/www.bathbespoke.co.uk\/app\/uploads\/2021\/03\/KWiGAwulPoZHcTP_Uy-eQ_MAgdalene-300x200.jpg\")
There were 12 public and VIP\u00a0